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“Only love can save me and love has destroyed me” – Interpersonal and self-inflicted violence in Sarah Kane’s theatre: Tesi di laurea in Lingue moderne (English Edition)
This dissertation wants to focus on the meaning of interpersonal and self-inflicted violence in British modern playwriting, especially in the five masterpieces by late controversial author Sarah Kane. After an overlook of the context in which a group of new young writers of the nineties were developing a more fierce kind of drama, this thesis will try to understand what is the heritage of the trend named “In-Your-Face” Theatre. Selected scenes from Kane’s “Cleansed” and “4.48 Psychosis” will be
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